WEBVTT

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Take care.

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sixteen.

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To verloren members on

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Policewoman Patricia Jones, Shield 300.

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What was it this time?

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Archivics.

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Sorry to pull you right over here like this, but I'd like to try something.

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We've got a murdered seaman, named Olonski.

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Strangulation.

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Jones, pick this table up for me, will you please?

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Donovan.

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Okay, choke him.

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Casey?

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Hi, how's your neck?

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It's bloody, but unbogged.

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Lieutenant Andrews wants to see you again.

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By the way, is this an assignment?

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That's right, homicide.

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Shh.

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You heard about the murder?

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Yeah, we found the murdered man and reported some jewelry stolen a few days before he was strangled.

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This morning they picked up a girl who was trying to pawn his watch.

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Turned out she lived right across the hall from the guy.

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Come on, before I get hoarse, huh?

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Take a good look at this, kid. She's in the line of room now.

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All right, Molly, let's take it again.

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You say the watch you tried to pawn was given to you by the man who was killed.

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I pawned for him.

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Because he didn't have time to do it himself.

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He was a merchant seaman. He had to be down at the Union Hall all the time.

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This is the girl.

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But when you tried to pawn the watch, you knew he was already dead.

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I thought he might have had a family or something.

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But you said before he told you he was all alone in the world.

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I wanted to buy some flowers so I could put them on his grave so at least somebody cared.

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Then why did you tell me the other?

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I thought if I pretended that he had a family, it would be like he had one.

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Then he wouldn't be all alone out there in the cemetery.

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Now listen to this carefully.

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Molly, let's get back to your boyfriends.

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Do you have many?

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Sure. Lots of them.

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But you have a special boyfriend, haven't you? George?

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Yes.

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What did you say his last name was?

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Don't you know his last name?

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Molly, you didn't have anything to do with killing Mr. Lansky, did you?

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No.

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Did George?

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No. Why should he?

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For the watch, the stick pen, the ring.

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There wasn't any ring.

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You're smart. You're really very smart.

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All right, Molly. You might as well tell us now.

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Where did you really get the watch?

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George gave it to me.

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Where'd George get it?

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He won it in a card game with Mr. Lansky.

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That's the man I could find, George. She's obviously protecting him.

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It'll be your job to get close to her. Let her lead us to George.

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When she does, you'll be right across the hall, right in Lansky's room.

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Well, with the apartment situation the way it is, Rome's Rome.

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Oh, my God.

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Who is it?

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Doris, from across the hall.

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Hi, I'm Doris Daniels. I just moved in across the hall.

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The landlady told me there was another girl living on this floor,

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so I just thought I'd come by and say hello.

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Hello. I'm just about to make myself a cup of tea.

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Would you like to have some?

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Maybe some other time.

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Sure, honey. Anytime you say.

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Now, listen. If my radio's on too loud, you just tell me.

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No, I can't. I like it.

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You know, sometimes when you're alone, little music helps kind of keep you company.

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Say, how dear was my name once?

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Doris Daniels.

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Mine's Molly Orchid.

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Orchid? Like in the flower? Hey, that's real pretty.

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No, my real name. I just took it, huh?

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I like the name Orchid.

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Look, honey. If you ever feel like socializing, just give a knock.

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The way the nightclub business is losing money, I'll probably be home.

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Do you work in a nightclub?

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Yeah, when I get offers.

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Well, look, honey. You come by anytime.

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I'll be back.

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Hi. Come on in.

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Can I still have that cup of tea?

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Not sure. One tea bag don't make two cups of tea. Come on in.

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In this line of work, a cup of tea is a foot in the door.

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A walk near the UN building opened that door a little wider.

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But still it was mostly walk, very little talk.

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Nothing new about George.

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And I bumped into her the next day. She seemed glad to see me.

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Asked if I'd like to listen to some records with her.

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Said she and George were mad about Chaz.

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He told her all about him.

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Maybe George is a musician.

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She's very friendly now. See him practically every day.

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I asked her point blank what George does for a living.

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Looked right through me and said George was about the most handsome fellow who ever lived.

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But as long as I keep seeing him.

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I had a date to meet her at the automat for lunch.

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We met nothing. A masher, a fast proposition, an even faster brush.

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A musician. Suddenly the pieces fell into place.

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Of course, a musician. A man who works with his hands, his fingers.

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All right, thank you. That's all for now.

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Sorry to keep you waiting. How do we stand?

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We must have checked every guy in New York who carries an accordion case and fiddle and guitar.

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What if they turn you down at the union?

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No help. There are over 30,000 musicians in the New York local alone.

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As for the name George, it's a mess up. Might take months to check them all.

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And there's always the possibility he isn't a member of the local anyway.

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All I said he works out of town a lot.

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Now we've got to move and fast. He's here somewhere.

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We've got to nail him before he decides to move on.

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Casey, I want you to dig at her now and hard. She's got the key. Make her use it.

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Hey, come in. You're sleeping?

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Oh, excuse me. Oh, come on in.

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Did you have a nice time?

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Fair.

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Did you go dancing?

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Oh, we danced up a storm.

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Did he try to kiss you or anything?

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Um, I can handle him.

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The fellow's always trying to get fresh with me.

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All except George.

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He treats me like a real high class lady.

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He's always asking me if I'm comfortable, how I feel, or if I want this or that.

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In any time you sit home and he's traveling all over the country.

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Oh, well, he's got business.

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Yeah, but what kind?

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You say he never tells you anything, for all you know it could be monkey business.

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Oh, no.

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Honey, I've met the kind before. Believe you me.

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Well, George isn't that kind.

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Oh, okay. Oh, what kind is he?

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How long has he been gone now?

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You haven't even showed me a postal card that he sent you.

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Look, honey, I know the type. If it ain't under his nose, he just ain't interested.

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George loves me.

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I'll believe that when I see it.

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I don't like to talk about George and me like that.

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You're jealous. That's what you are.

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Okay, so I'm jealous.

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They'll take you out, but they don't respect you.

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George respects me.

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There isn't anything he wouldn't do for me. All I have to do is ask him.

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Okay, okay.

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You just wait. I'll show you. Just wait.

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I'll show you. You just wait.

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Because George is back.

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I'll be back.

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Andy, about that nightclub audition she flipped over the act.

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She ran Euling out of the room saying she could get a hold of the big boss.

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Did she say where he is?

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No, but she promised to get in touch with him.

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From the way she acted, that figure's very, very soon.

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Tonight?

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I don't know, but I wouldn't be at all...

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Jones.

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I just wanted to let you know, Andy, and thank you for setting it up for me.

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Jones, you lock yourself in your room and stay there.

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For all we know, George could be right in the building.

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Get me Donovan.

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I'll be right there.

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There's the stuff.

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There's the stuff.

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How do I look?

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Oh, you look beautiful.

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I'm going out with George.

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Late date.

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He came back this afternoon.

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He called me right from the airport.

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I thought you'd like to know.

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You know those earrings you wore the other night?

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You mean the long dangly one?

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Can I borrow them?

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For tonight?

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Sure, I'll get them for you.

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Oh, they're just beautiful.

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Perfect.

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When's George going to pick you up?

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Oh, I'm going to meet him, and then we're going to our own little special hideaway.

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Or we might go riding in his new car.

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Well, I've got to be going.

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I don't want to be late.

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Oh, and thanks for the earrings.

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Molly.

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Huh?

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Be careful.

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What about?

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I'm going out with George.

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I'm going out with George.

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Well, what a time we had.

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What a time.

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We just danced and danced.

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And then we went to a wonderful Chinese restaurant.

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We had chopped suey.

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And then we...

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Did George bring you home?

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Oh, he had to go someplace, you know him.

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Can I come in?

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Sure.

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Well, we just danced.

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And then we had chopped suey.

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And then we went to another place.

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And we danced some more.

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And...

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Who could that be calling at this hour?

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Oh, it's my agent.

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He said he'd probably call back.

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So late?

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Hello?

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Yeah, speaking.

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Is she back there now?

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She is.

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Well, we followed her, and she didn't meet anyone at all tonight.

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Not anyone.

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All she did was go to a movie.

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And then she went to a movie.

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And then she went to a movie.

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And then she went to a movie.

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And then she went to a movie.

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And then she went to a movie.

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And then she went to a movie.

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And then she went to a movie.

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Alone.

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Oh, Casey?

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Yeah.

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Is she right there with you?

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I don't know.

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Yeah.

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I'll be there first thing in the morning, and I'll, uh, I'll bring my music.

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I was my agent.

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He, uh, brought me some new music.

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Oh, I see.

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Well, I'll go get it.

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I'll go get it.

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Oh, come on.

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You want to play with me?

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Yeah.

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I'll go get it.

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Oh, well, I'll go get it.

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I'll go get it.

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Oh, well, I'll go get it.

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Oh, well, I'll go get it.

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Oh, well, I'll go get it.

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Oh, well, I'll go get it.

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Oh, well, I'll go get it.

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Oh, come on.

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Oh, come on.

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Come on.

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Come on.

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I, uh, I have to audition the first thing in the morning.

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That why you're packing?

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Packing?

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Oh.

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Yeah.

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Polly, didn't you tell me that George phoned you from the airport this afternoon?

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Yes, he did. The second he got off the plane.

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But you saw him at the automap, didn't you? Why did you pretend that you didn't know him?

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You mean the fellow at...

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That skinny little runt you thought, that was George!

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He was carrying a musical instrument, Kitsch.

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Why don't you move this?

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Musician, for heaven's sake.

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He used to work at a movie house where they had ballrooms.

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My goodness, that skinny little runt!

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You thought that was George!

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Oh, you went to the movies tonight, didn't you?

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Later on we...

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You went there alone.

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No, you didn't let me finish. After we got...

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Not with George, all by yourself you went to the movies.

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No, no, you're wrong.

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That's how you always intended to spend the evening, not with George at all.

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Don't say that.

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And for a very good reason.

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Now you keep quiet. Don't say that. Now keep quiet.

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I'm sorry, I'm sorry.

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I'm sorry, I'm sorry.

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I'm sorry, I'm sorry.

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Molly, now listen to me. Listen to me, Molly.

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You'll have to listen to you.

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I think I know the truth, Molly.

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No, you don't. You don't know anything at all.

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I think I know the truth about George.

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You can't, you don't.

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You couldn't have met George tonight.

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No, no, no!

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Because there isn't any George.

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No, no, no!

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I can't believe it. I can't believe it.

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Who said you were my friend?

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I am your friend, Molly.

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Now, now look, listen to me.

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Are you a cop?

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You came here to hurt me.

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I wouldn't hurt you, Molly.

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To put me in jail because of Mr. Lansky.

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What about Lansky?

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He tried to hurt me too.

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Is that why you killed him?

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He came back and found me right over there by the table.

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He thought I was stealing, but I wasn't.

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I was just looking.

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He had lots of pretty things from all over the world,

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and all I wanted to do was look at them.

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You know?

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Yeah.

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He said he was going to call the police.

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Except he said he wouldn't call them if I...

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I told him nobody kisses me but George!

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Nobody!

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He tried to kiss me anyway.

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I tried to push him away, but he wouldn't let me go.

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He hurt me with his hands.

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And then I had a hold of his neck.

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He wanted me to let him go.

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So he could hurt me some more, but I wouldn't let him go.

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I wouldn't!

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And then he was dead.

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Just like that.

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All limp and loose.

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I guess he didn't know how strong I was.

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I'm as strong as a man when I get mad!

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Anyway, why did you pretend to be my friend?

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I only pretended to be somebody else.

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I was still your friend.

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You said there wasn't a George!

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There isn't, Molly.

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Say there is!

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Do you want me to tell you a lie?

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Say there's a George!

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Molly, you know too, you know that there isn't any George.

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You don't really want me to tell you there is,

23:13.120 --> 23:15.120
because that would be a lie, and friends don't lie.

23:15.120 --> 23:18.120
Not real friends, and I'm your real friend now.

23:20.120 --> 23:21.120
Oh, you...

23:21.120 --> 23:23.120
Then you wouldn't have a friend anymore, would you, Molly?

23:23.120 --> 23:25.120
Then that's what counts.

23:25.120 --> 23:28.120
Not a friend like George who doesn't exist,

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but a real friend!

23:30.120 --> 23:43.120
I got to have a look.

23:43.120 --> 23:55.120
Donovan, don't!

24:03.120 --> 24:05.120
See?

24:05.120 --> 24:24.120
I wouldn't let anyone hurt you.

24:24.120 --> 24:26.120
Keep the earring.

24:26.120 --> 24:28.120
As long as you like.

24:28.120 --> 24:54.120
I've never had any game for your ears before.

24:54.120 --> 24:56.120
Remember Jean, the girl I talked to?

24:56.120 --> 24:59.120
She has a degree from the University of Southern California.

24:59.120 --> 25:01.120
She's a fully qualified chemist.

25:01.120 --> 25:04.120
Edna was a nurse.

25:04.120 --> 25:08.120
Marion was a social worker.

25:08.120 --> 25:10.120
I studied...

25:10.120 --> 25:13.120
Believe it or not,

25:13.120 --> 25:15.120
to be a ballet dancer.

25:15.120 --> 25:17.120
Down the line, you name it, and we've done it.

25:17.120 --> 25:19.120
Today, tomorrow, next week,

25:19.120 --> 25:24.120
we'll pose as hostesses, society girls, models,

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anything and everything the department asks us to be.

25:27.120 --> 25:30.120
There are 249 of us in the department.

25:30.120 --> 25:33.120
We carry two things in common wherever we go.

25:33.120 --> 25:37.120
Shields, we call the Patsy,

25:37.120 --> 25:40.120
and a.32 revolver.

25:40.120 --> 25:46.120
We're New York's finest.

25:46.120 --> 26:15.120
We're policewomen.

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